atmoon (2025)
Solo exhibition at Museum Morsbroich, Leverkusen
11.10.2024 - 9.02.2025
Audiovisual installation
In collaboration with the video artists Tati Cuoco and Alice Daneluzzo.
The installation unfolds in three spaces, representing different states of embodiment through simple gestures that acquire intensity in repetition and contemplation.
It is an attempt to turn our gaze around, turn our eyes inwards and activate listening.
atmoon (atmen + moon) invites us to become a spacious, breathing ear, listening for unexpected sensations, to perceive the body as a fragile landscape of memory.
Siestaria (2023)
A safe and brave space for collective expression and meaningful connections through the facilitation of workshops and listening sessions focused on the ideas of listening in dreams, dream translation, and oneiric cartographies.
Past Editions: @LAR @CASo, Buenos Aires, AR / @Synthlibrary, Prague, CZ / @FestivalTsonami, Valparaiso, CL / @HKW Berlin, DE / @CML-FHNW Basel, CH
HOW TO HYPNOPOMP? (2021)
A written reflection and a set of audiovisual scores stimulate inquiry into our experiences of rest and question the social norms surrounding wakefulness and transitional sleep states.
In collaboration with UNSEEN Platform, Linfa and Nik Forrest.
Exhibited in Galerie Jelení, Prague, CZ.
Activation for Estuaries by Naama Tsabar
Hamburger Bahnhof, Nationalgalerie der Gegenwart, Berlin
Composed and performed by Julia Biłat, Gabriela Burdsall, Arone Dyer, Tatiana Heuman, Naïma Mazic, Rasha Nahas, Avishag Cohen Rodrigues, Sarah Strauss, Naama Tsabar.
Installation and performance photography © Nationalgalerie – Staatliche Museen zu Berlin / Laura Fiorio
We have to save the wind
Premiered at MUTEK Montreal Hybrid Edition
Audio-poems
written by Alejandra Pizarnik, Cru Encarnação, Kamala Das and Emily Dickinson
recited by AGF, Cru Encarnação, Bárbara Togander, Swan Meat, Elsa M'bala
with music produced by Tatiana Heuman/QEEI
Prepared Guitars: Jorge Espinal
Animation and Video: Ján Solčáni
Audio post-production: Ro Stambuk
Near and Remote Memory Reactivation Practices
Research and live musical performance in collaboration with musician Ale Hop, using handmade instruments inspired by traditional South American artefacts to explore timbre, textures, worldview and the interplay of technology and embodiment through improvisation.
Live performance premiered in Sonic Acts Festival 2022, Amsterdam, NL. Research supported by MUTEK Amplify Collaboration Fund.
Pictures by Pieter Kers / Sonic Acts
Manja Ristic & Tatiana Heuman
Agua de Rosas, LP, independent
An intimate journey of two performers opens time portal to the magical island of Korčula where they live and create in domestic coexistence.
The sound of a dog walking on a wooden floor, stone streets echoing with strange human activities, sound of birds and rain, and magnificent involvement of the kids, the recording unravels sonic showers of the atmosphere and handful of details produced with kitchen objects, found objects, built and/or prepared instruments.
2017
You would not be just an ornament (2022)
Radio piece for Lumpen Station
#dream #sleep #wakeup #rest #reality #ambient #radio #spoken word
It is possible to access new interpretations of the urgencies of the current reality through rest. Dreaming acts as an engine to continue when everything around seems to indicate that one of all ends is approaching. Floating, hidden somewhere, appearing randomly, my dear dream, should I talk to you or about you?
Idea, edition, music: Tatiana Heuman / Dramaturgy: Guido Wertheimer / Artwork: Linfa / Voices: Tatiana Heuman, Vareila Mairanga, Dieu Hao Do, Mariana Carvalho
With texts by: Paul B. Preciado, Anne Dufourmantelle, Ana Llurba and Jonathan Crary.
Recorded 01.08.2022 - 8.09.2022
Duration: 21:09
Co-produced by Lumpen Station
Supported by Ville de Bienne, Swisslos Kultur Kanton Bern
"Neither God, nor Master or Husband" (2019)
Radio piece in Collaboration with Florencia Curci
Part of El contagio feminista for KUNSTRADIO curated by Anna Raimondo
Collaborators: #VIVAS, SASHA SATHYA, ESLABRAVA, LaNegrahLiyah, ELI QUETEMPORAL, María Eugenia García, Josefina Barreix, Estudio Siesta del Fauno, Luciana Rizzo, Gabriela Areal
We propose a journey through time to suggest that the feminist contagion, which can be felt in the fabric of Buenos Aires, is the result of a complex polyrhythmic phenomenon. This work is an attempt to bring together these unique voices from different moments and social environments, which both summon and confuse us. In the last decade, the call for feminism has grown exponentially, thanks to the converging claims of previously divided social actors. Still, many forms of feminism coexist today, promoting different visions of the future. Are there feminist ways of dealing with time? Is there a feminist time or...perhaps rhythm?
“How to return to the body? Cómo volver al cuerpo?” (2020)
MIX for In Between Spaces Radio
Tatiana Heuman launched an open call questioning “How to return to the body? Cómo volver al cuerpo?”. We will listen to a collection of the multifaceted answers from Latin American sound collectives and networks. Collaborating in this piece with words and sounds: Mariana Carvalho, Inés Terra, Doda Lingua, Sofía Scheps, Ale Hop, Denise Fournier, Florencia Ruiz Ferretti, Bungalovv, Candie, Agustin Genoud, Flavia Goa & Isis Noguti, Mabe Fratti, Guillermina Etkin, ESLABRAVA, Sasha Sathya, LaNegrahLiyah, ELI QUETEMPORAL, Josefina Barreix, Nata Montoya, Aylu, El Pelele, Astrosuka, Volll, Jennitza, Rocío Fernández Doval, Floriana Lazzaneo.“
Pictures by Mayra Wallraff
Sound design and Live Music for the dance piece History has failed us, but..., by Olivia Hyunsin Kim / ddanddarakim
@Sophiensaele, Berlin, DE 2022
𝑯𝒐𝒘 𝒅𝒐 𝒘𝒆 𝒂𝒄𝒄𝒆𝒔𝒔 𝒕𝒉𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒍𝒊𝒇𝒆 𝒂𝒎𝒐𝒏𝒈 𝒕𝒉𝒆 𝒂𝒑𝒐𝒄𝒂𝒍𝒚𝒑𝒕𝒊𝒄 𝒔𝒉𝒂𝒓𝒅𝒔 𝒐𝒇 𝒂 𝒘𝒐𝒓𝒍𝒅 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒑𝒓𝒐𝒄𝒆𝒔𝒔 𝒐𝒇 𝒅𝒆𝒂𝒕𝒉 𝒊𝒔 𝒕𝒉𝒆 𝒆𝒏𝒅?
Original Soundtrack for Burial Flowers audiovisual production by Aun Helden
@Novas Frequencias Festival (virtual gallery)
Curated by chico dub
Supported by Amplify D.A.I. British Council, Artlabpro and Mutek
2021
© Aun Helden
© Thomas Aurin
Drummer in "The Future" by Constanza Macras / Dorky Park
@Volksbühne, Berlin, DE 2021/ 2022
Sensory Overload Pt.3: Tatiana Heuman
Improvisation performance using Sunhouse SENSORY PERCUSSION and Critter & Guitari visuals
video: Alec Coiro
2018
Sound design and Live Music for YELLOW BANANA, Dance Performance by Olivia Hyunsin Kim
@Sophiensaele, Berlin, DE, @Theater de Nieuwe Vorst, Tilburg, NL
2019 @HundertPro Festival, Ringlokschuppen, Mülheim an der Ruhr, DE 2020
"A LO INFINITO" Original Soundtrack and live music, Dance performance
by Emergentes Company, Buenos Aires, AR
Dir. Carla Bugiolacchi
@CIUDANZA 2017 BA, Parque Indoamericano